This series inverts classic approaches to portraiture, omitting the face and removing light. A traditional portrait might remind us of what we already believe about a person (think of a portrait of Queen Elizabeth and how it might be influenced by confirmation bias) or it can remind us of how little we actually know about a stranger (think of Vermeer’s Girl with a Pearl Earring). If, instead, our view of a person is limited to certain aspects of body language, do we learn any less compared to regarding their face?